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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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Brush with controversy

Khalid Mohamed recalls the needless controversy stirred up by a M.F.Husain artwork of Lord Ganesha, although his canvases, lim...

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Wedding Photography: In a state of limbo

Photographer Vatsal Shah, writes on the drastic downturn in the industry of professional photography in the time of the corona...

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Order! Order!

Film historian Dhruv Somani, zooms in on Bollywood&rsqu...

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Try Love

“In this time of lockdown and instability, it would be ridiculous for me to deny my own blanket of privilege and personal self-absorption...

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CAMPION TALES OF OLD BOMBAY

Producer, Director and Actor Rajiv Kapoor, shared this precious piece written by his school mate John Mani, with me on Whatsapp last night and I publish it here in The ...

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Love lost in Yesteryear’s Prem Nagar

Prem Nagar – a lovers’ lane – has gone under. That one spot shielded from voyeuristic eyes by...

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VICTIMS, WOMEN & THE LANDED VOICELESS

So here?? the thing!

As I entered home this evening, my housekeeper Leela Lhama opened the door, as usual.

She normally takes my laptop bag from my hand and...

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